Directed By Alice Hamilton, HAMPSTEAD DOWNSTAIRS / CELIA ATKIN PRESENT THE WORLD PREMIERE OF, By Hannah Khalil As the State grows more powerful because of technology, and technology grows more powerful because of the State, where do the self-appointed protectors of the rights of the citizen stand? And, just so you know, we never share your email with anyone. He is joined at regular intervals by a man and woman who give him brief snippets of information from the world beyond his hotel room. You can’t buy a revolution, but you can help the only daily paper in Like The Dumb Waiter, originally planned for Hampstead's main theatre programme — now postponed — Wild is set initially in a recognisable social context, with the plot progressively leaving the target character bewildered and unhinged. Or about using an individual to illuminate some of those themes. Whose side are they on? To say more is to spoil - for the play plays with you, slings you around. You can’t buy a revolution, but you can help the only daily paper in joining!
It’s a ride, as in funfair. In a situation which is not dissimilar to Edward Snowden’s WikiLeaks scandal, he has revealed information to the public and now finds himself stateless and under threat of assassination. Subscribe to our emails to hear what we're doing during the theatre closure - including upcoming projects and all the latest news. He was a regular columnist and associate editor of The Stage until 2019. ', 'It is excellently directed by James Macdonald and acted with great finesse. Twelfth Night. Subscribe to our emails to hear what we're doing during the theatre closure - including upcoming projects and all the latest news. Just £5 a month gives you the opportunity to win one of 17 prizes, from So let me help him out.
BBC Four, BBC iPlayer. We use cookies (sadly inedible) to improve how our site works. A HAMPSTEAD THEATRE PRODUCTION. Unprecedented. YOUTH THEATRE WITH CREATIVE MULTILINGUALISM. Britain that’s fighting for one by joining the 501 club. To read the full review please click here to visit WhatsOnStage online. 'Mike Bartlett follows up his recent successes on stage (King Charles III) and the small-screen (Doctor Foster) with a show that boldly attempts to come at the subject from a fittingly mind-blowing angle.
The Remains of Logan Dankworth.
tell truth to power. 'Miriam Buether's design pushes the envelope in all kinds of remarkable ways to assist Bartlett's Pinteresque portrayal of an Edward Snowden-like character', 'Andrew is riled, antagonised, made more paranoid still with further comings and goings, and the core intellectual provocation is insightful', 'So, Wild is Mike Bartlett (Doctor Foster; King Charles III) doing Edward Snowden. The play is a cat and mouse game brought to the stage: a story of trust, or rather mistrust, politics and cunning wit. Are they offering him protection? Wild is his second collaboration with Bartlett following Cock (Royal Court). We do not know their real names. In his new 100-minute piece he combines the two by showing us three people playing cat-and-mouse games in a Moscow hotel room but ending with a vision, through a startling theatrical coup, of the world turned upside down.'. We use cookies so we can provide you with the best online experience. you, our readers and friends. WILD. James Macdonald returns to Hampstead Theatre following The Arrest of Ai Weiwei by Howard Brenton. MIKE BARTLETT'S opening play in Hampstead Theatre's short season of free weekly online productions owes much to Pinter's comedies of menace, with their characteristic mixture of humour, mystery and lurking fear. Bartlett returns to Hampstead following his critically acclaimed stage adaptation of Chariots of Fire. They're also not quite what they seem.'. Priority Booking for Friends and Patrons is now open for both shows. However, Andrew doesn’t spend his time in complete isolation. Under the surface of a mystery thriller, Bartlett is, in fact, dealing with the ethical and political consequences of Snowden’s 2013 revelations. by Marianka Swain Tuesday, 21 June 2016. Donate today and make a regular contribution. Wild has been kindly supported by The Godwin Family. has an equal say.
The Morning Star is unique, as a lone socialist voice in a sea of Hampstead Theatre, Eton Avenue, Swiss Cottage, London, NW3 3EU BOX OFFICE: 020 7722 9301 By continuing to browse this site you are agreeing to our use of cookies. James’s many other theatre credits include The Father (West End) and Caryl Churchill’s Escaped Alone (Royal Court). Full price: £28/£25/£18Under 30s/Students: £15/£10* Seniors (matinees only): £20/£18/£15Groups: For every 9 tickets get the 10th freeAccess: £15, Tuesday – Saturday evenings Full price: £35/£30/£25Under 30s/Students: £15/£10* Groups: For every 9 tickets get the 10th freeAccess: £15, *Under 30s and Student concession seats are available in rows A (£15) & Q (£10), Audio described performance:28 May at 3pm, with a touch tour at 1.30pm, Captioned performance:2 June at 7.30pm, with a transcribed post show discussion. Here’s a snapshot of where our 2017 bookers came from in the UK, Hampstead Theatre,
Directed by JAMES MACDONALD, Running time: 1 hour 50 minutes without an interval, £10 - £35 Read our cookie policy here or accept to continue.
Read our cookie policy here or accept to continue. ', 'So here’s the third word to describe this play: fascinating.'. By MIKE BARTLETT It’s not a journey, or a story. Directed By Audrey Sheffield, By Tennessee Williams The woman, played by Caoilfhionn Dunne, has a wide toothy grin and a face that is so mobile it might as well have a scooter. The rich don’t like us, and they don’t advertise with us, so we rely on Andrew is visited by a woman named George and a man named George. Wild is available to view on Hampstead Theatre’s YouTube channel from 30 th March until 5 th April 2020. Our Man in Moscow: whistleblower Andrew (Jack Farthing) contemplates his new life Stephen Cummiskey. FIGHTING continued to rage between Armenia and Azerbaijan today, with Yerevan accusing Baku of bombarding Stepanakert, capital of the self-governin. We offer a platform for those who would otherwise never Mike Bartlett’s darkly comic new play explores the unexpected, bewildering, and life-changing consequences of challenging the status quo at a global level. ', Bartlett has certainly found a way of embodying his fears that, thanks to Buether’s scenic reversal, is defiantly and uniquely theatrical. This week, America’s Most Wanted: a man who humiliated his country with one touch of a button. Here’s a snapshot of where our 2017 bookers came from in the UK Bartlett starts to play with the reality we see.
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