Audience Reviews for Aladdin Apr 19, 2020 It's a bit up-and-down, but often it feels like, at best, a pretty good stage production of the classic film where I'd usually rather be watching that film. Did we really need another live-action remake of a Disney classic? When you purchase a ticket for an independently reviewed film through our site, we earn an affiliate commission. Aladdin is about as safe an adaptation as we’ve seen Disney put out, which is a bit disappointing considering that most of what it adds to the story works pretty well. Smith is at his best when he puts his own energetic magic in Genie's corner, but he doesn't exude the same warmth as Williams did, and his magical shtick can be a bit of a sensory overload in live action.
And Scott makes the most of it.
She no longer dreams only of love; she’d like to succeed her father the sultan (Navid Negahban) and make decisions for her country. Ritchie, best known for action pulverizers like RocknRolla and Lock, Stock and Two Smoking Barrels, doesn’t pull out the heavy ammo in this family-friendly, PG enterprise.
Sign up for our newsletter. The basic thrust of the story is pretty much as you remember it. She adds a strong message about equality that's underscored by Speechless, a new song that fits seamlessly with the classic setlist. Discuss: Aladdin review: Guy Ritchie's live-action Disney remake dazzles, surprises, CDC acknowledges COVID-19 airborne transmission. The Genie, of course. We delete comments that violate our policy, which we encourage you to read. “Aladdin,” the 1992 cartoon feature with Robin Williams as a garrulous blue genie, may not be the best movie from Disney’s second golden age of animation, but like the others it has durable charms and memorable songs. Some of the voices may make you regret the reminder. Want more Rolling Stone? (Scott’s is by far the strongest; Smith is not a great singer). Princess Jasmine (right) and her handmaiden/best bud Dalia (left) elevate this live-action remake of Aladdin.
His parrot pal, Iago, is much more realistic than Gilbert Gottfried's shrill portrayal in the original. For starters, Aladdin wishes to be a prince worthy of wooing Jasmine. And never once do you think that Jafar is evil enough to hold back a happy ending. The human beings occupying the frame alongside them look, with the partial exception of the genie, like people dressed up as Disney characters. Scott and Massoud's vocals carry the updated version of Whole New World as well, though the latter's rendition of One Jump Ahead loses some of the original's energy. Smith, however is the movie’s best special effect. Luckily, Ritchie goes far beyond a straight copy and paste, opting to update the classic -- based on a story from an Arabian folktale One Thousand and One Nights -- with fancy CGI visuals, some very modern sensibilities and more depth added to the characters. 'Aladdin' review: Live-action adaptation should rub audiences the right way, with Will Smith finding the right balance as the Genie in a way that won't leave you feeling blue But he does give the story a kineticism that helps when you’re trying to match what animation can do. We’ve had an awful lot of shape-shifting, motor-mouthed “friends” like this one. You might as well complain about the animal sidekicks (and I will). It’s an inspired choice to cast Guy Ritchie’s live-action version of Disney’s 1992 animated hit with persons of color. None of these have surpassed the original, but that might be too much to ask. Mena Massoud and Will Smith in Disney’s new live-action 'Aladdin,' directed by Guy Ritchie. Alan Tudyk opts for a subtle approach, giving the character a sinister edge and managing to display more personality than Jafar through squawked repetition of other characters' lines -- it's astounding a CGI parrot is more memorable than the movie's big bad. Directed by Guy Ritchie.
Similarly, the genie’s showstopper, “Friend Like Me” undermines its own premise. Alan Menken is still a wonderful composer, by the way. The animal sidekicks — a mischievous monkey, a loyal tiger and a malignant parrot — are neither cute nor especially realistic. Aladdin (Mena Massoud) is a thief plying his trade in the marketplaces of the vaguely, vividly Middle Eastern fantasyland of Agrabah, where he meets and falls for Princess Jasmine (Naomi Scott).
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